"Mozart: Requiem in D Minor, K. 626: VI. Recordare" by Nikolaus Harnoncourt, Vienna State Opera Chorus was released on 1982. Mozart: Requiem in D Minor, K. 626: VI. Recordare is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Nikolaus Harnoncourt's "Mozart : Requiem (Elatus)" album is number 6 out of 14. Based on our statistics, Mozart: Requiem in D Minor, K. 626: VI. Recordare's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: VI. Recordare by Nikolaus Harnoncourt, Vienna State Opera Chorus to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: 3. Adagio | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | G Major | 0 | 9B | 94 BPM | ||
Slavonic Dance Op. 46 / 1 in C major, Presto "Furiant" | Milan Horvat, Vienna Radio Symphony Orchestra | G Major | 2 | 9B | 118 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Fantasia On "Greensleeves" | Ralph Vaughan Williams, Robert Haydon Clark, Consort of London | C Minor | 1 | 5A | 86 BPM | ||
教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より) | フォルツハイム・モテット合唱団, 南西ドイツ室内管弦楽団, ロルフ・シュヴァイツァー | F♯ Minor | 1 | 11A | 166 BPM | ||
Piano Concerto No. 24 in C minor, K. 491: II. Larghetto | Current | E♭ Major | 1 | 5B | 111 BPM | ||
Schubert : Ballet Music from Rosamunde D797 : II Andantino | Franz Schubert, Nikolaus Harnoncourt, Wiener Symphoniker | G Major | 0 | 9B | 75 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM |
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