Norbert Kraft made "Prelude in D minor, "Endecha": Endecha" available on June 20, 1994. With Prelude in D minor, "Endecha": Endecha being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 19th Century Guitar Favourites, so we believe that "Prelude in D minor, "Endecha": Endecha" is a single. Prelude in D minor, "Endecha": Endecha is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Prelude in D minor, "Endecha": Endecha by Norbert Kraft is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lennon / McCartney: Yesterday (Arr. Toru Takemitsu) | Manuel Barrueco | F♯ Minor | 0 | 11A | 80 BPM | ||
The Girl With The Flaxen Hair | Marshall (Arr.), Claude Debussy, Christopher Parkening | E Minor | 0 | 9A | 87 BPM | ||
Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) | Joseph-Nicolas-Pancrace Royer, Raphaël Feuillâtre | D Minor | 2 | 7A | 130 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. P. Breiner): No. 2 Orientale: Andante | Peter Breiner, Enrique Granados, Norbert Kraft, Razumovsky Sinfonia | C Minor | 0 | 5A | 92 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
12 Studies, Op. 29: No. 17 in C Major | Fernando Sor, Jeffrey McFadden | G Major | 1 | 9B | 135 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
Danza Brasilera | Jorge Morel, Celil Refik Kaya | A Minor | 1 | 8A | 117 BPM |
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