"Musica meccanica: II. —" by Philip Cashian, Lyn Fletcher, Sally Bishop was released on April 1, 2012. With this song being about 5 minutes long, at 5:23, "Musica meccanica: II. —" by Philip Cashian, Lyn Fletcher, Sally Bishop is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 8 in Cashian: Dark Inventions by Philip Cashian, Birmingham Contemporary Music Group, Stefan Asbury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Musica meccanica: II. — is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Musica meccanica: II. — by Philip Cashian, Lyn Fletcher, Sally Bishop is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Arches | Dani Howard, Royal Liverpool Philharmonic Orchestra, Pablo Urbina | E Major | 1 | 12B | 147 BPM | ||
Chants de Terre et de Ciel: No. 2, Antienne du silence (pour le jour des Anges gardiens) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Minor | 1 | 8A | 112 BPM | ||
Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Concerto for String Orchestra: II. Andante | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A Minor | 4 | 8A | 130 BPM | ||
Chamber Concerto for Piano and Strings - Toccata | David Joseph, Melbourne Chamber Orchestra, Michael Kieran Harvey, Spiros Rantos | D♭ Major | 6 | 3B | 127 BPM | ||
Ouverture, Pt. 1 | Hubert Evin, Guillaume Barli, Robin Aubertin, Francois Seillier | G Major | 3 | 9B | 101 BPM | ||
Angustioso | Julianus Nunes, João Marcondes, a Trupe deCompositores | C Major | 0 | 8B | 105 BPM | ||
Three Bagatelles: No. 2, Divertimenti in Carnival Serenade | Soeui Lee, Pacific Quintet | F Minor | 4 | 4A | 115 BPM |
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