Alicia de Larrocha's 'GRANADOS: SEIS PIEZAS SOBRE CANTOS POPULARES ESPANOLES: VI. ZAPATEADO' came out on August 22, 1992. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alicia de Larrocha's "Goyescas Etc." album is number 19 out of 26. GRANADOS: SEIS PIEZAS SOBRE CANTOS POPULARES ESPANOLES: VI. ZAPATEADO is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of GRANADOS: SEIS PIEZAS SOBRE CANTOS POPULARES ESPANOLES: VI. ZAPATEADO by Alicia de Larrocha to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La plus que lente, L. 121 | Claude Debussy, Nikita Magaloff | D♭ Minor | 0 | 12A | 77 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 2 | 8B | 81 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
French Suite No.2 in C minor, BWV 813: 5a. Menuet I | Johann Sebastian Bach, András Schiff | E♭ Major | 1 | 5B | 70 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Soler: Piano Sonata in D Minor, R. 24 | Antonio Soler, Alicia de Larrocha | D Minor | 1 | 7A | 174 BPM | ||
Albeniz: Iberia, Primer Cuaderno: I. Evocacion | Alicia de Larrocha | B♭ Minor | 1 | 3A | 79 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Six German Dances, D.820: No. 5 | Franz Schubert, András Schiff | B♭ Major | 1 | 6B | 173 BPM |
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