Scheherazade, Op. 35: IV. The Baghdad festival and the Shipwreck on the Rock - Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling Information

Acousticness: 98%
Danceability: 23%
Energy: 23%
Instrumentalness: 90%
Liveness: 8%
Loudness: 75%
Speechiness: 4%
Valence: 4%
Popularity: 0%
Loudness: -15.001 dB

Summary

"Scheherazade, Op. 35: IV. The Baghdad festival and the Shipwreck on the Rock" by Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling was released on November 1, 1986. Scheherazade, Op. 35: IV. The Baghdad festival and the Shipwreck on the Rock appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Rimsky-Korsakov: Scheherazade - Glazunov: Stenka Razin". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Scheherazade, Op. 35: IV. The Baghdad festival and the Shipwreck on the Rock's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Scheherazade, Op. 35: IV. The Baghdad festival and the Shipwreck on the Rock BPM

With Scheherazade, Op. 35: IV. The Baghdad festival and the Shipwreck on the Rock by Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Scheherazade, Op. 35: IV. The Baghdad festival and the Shipwreck on the Rock Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sarasate: Zigeunerweisen, Op. 20	Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble	C Minor	1	5A	83 BPM
Sinfonia in D Major, "La Veneziana": III. Presto	Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel	D Major	1	10B	109 BPM
String Sextet In A Major: II. Rondo Fugato: Allegretto Grazioso	Wiener Streichsextett, Nikolai Rimsky-Korsakov	A Major	1	11B	119 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Minor	0	7A	117 BPM
Serenade for strings in E Minor, Op. 20	Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner	E Minor	1	9A	81 BPM
Suite No. 3, P. 172: III. Siciliana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	C Minor	0	5A	93 BPM
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle	E Minor	1	9A	102 BPM
Prelude and Allegro in the style of Pugnani	Samuel Sanders, Itzhak Perlman	E Minor	3	9A	107 BPM
Capriol Suite: 1. Basse-danse	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	D Minor	2	7A	133 BPM
Le roi s'amuse: Madrigal	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Major	0	11B	82 BPM

ISRC: GBLWD8604904
Label: L-M Records/RCA Records

Section: 0.6043450832366943

End: 0.6079859733581543