John Stainer, Choir of St Mary's Cathedral, Edinburgh, Imogen Morgan, Duncan Ferguson's 'The Crucifixion: XIX. Hymn – For the love of Jesus (All for Jesus)' came out on March 29, 2024. The duration of The Crucifixion: XIX. Hymn – For the love of Jesus (All for Jesus) is about 3 minutes long, at 3:00. Based on our data, "The Crucifixion: XIX. Hymn – For the love of Jesus (All for Jesus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Stainer: The Crucifixion". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. The Crucifixion: XIX. Hymn – For the love of Jesus (All for Jesus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: XIX. Hymn – For the love of Jesus (All for Jesus) by John Stainer, Choir of St Mary's Cathedral, Edinburgh, Imogen Morgan, Duncan Ferguson having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ah Holy Jesus How Hast Thou Offended (HERZLIEBSTER JESU) | The Redeemer Choir Austin Texas | F Minor | 1 | 4A | 107 BPM | ||
Psalm 15 "Lord Who Shall Dwell in Thy Tabernacle" | Edward Hopkins, Durham Cathedral Choir, James Lancelot | F Major | 3 | 7B | 122 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
Tantum Ergo | Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
The Crucifixion: III. Processional to Calvary | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Liam Bonthrone, Imogen Morgan, Duncan Ferguson | G Major | 1 | 9B | 139 BPM | ||
Encircled | Will Todd, Tenebrae, Nigel Short | A Major | 0 | 11B | 72 BPM | ||
Wesley: O Thou Who Camest from Above (Wilton) - 1. O Thou Who Camest from Above | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | A Major | 1 | 11B | 65 BPM | ||
Sing of Mary, Pure and Lowly (Arr. R. Proulx for Organ & Mixed Choir) | Roland Ford Palmer, Choirs of Nashotah House Theological Seminary, Thomas Heidenreich, Geoffrey Williams | G Minor | 0 | 6A | 68 BPM | ||
The Celtic Collection: No. 2, Circle Me, Lord | Margaret Rizza, The Sarum Voices, Sarum Consort, Cathy Lamb, Ben Lamb | D Major | 1 | 10B | 108 BPM |
Section: 1.0481724739074707
End: 1.052947998046875