- BPM
- 69
- Key
- C Minor
- Camelot
- 5A
25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves - Ludwig van Beethoven, Edith Mathis, Dietrich Fischer-Dieskau, Andreas Roehn, Georg Donderer, Karl Engel Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 4%
- Instrumentalness
- 49%
- Liveness
- 12%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -25.248 dB
Summary
"25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves" by Ludwig van Beethoven, Edith Mathis, Dietrich Fischer-Dieskau, Andreas Roehn, Georg Donderer, Karl Engel was released on August 26, 2022. The duration of 25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves is about 3 minutes long, at 3:13. Based on our data, "25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 29 in Beethoven: Folksongs by Ludwig van Beethoven, Edith Mathis, Alexander Young, Dietrich Fischer-Dieskau, Andreas Roehn, Georg Donderer, Karl Engel, RIAS Kammerchor. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves BPM
The tempo marking of 25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves by Ludwig van Beethoven, Edith Mathis, Dietrich Fischer-Dieskau, Andreas Roehn, Georg Donderer, Karl Engel is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
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 | The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | |
 | Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | |
 | Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM |
- ISRC
- DEF057030404
- Label
- L-M Records/RCA Records
Section: 0.7701950073242188
End: 0.7736377716064453