"Missa pro defunctis: Kyrie" by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees was released on June 1, 1993. The duration of Missa pro defunctis: Kyrie is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Missa pro defunctis: Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Cambridge Taverner Choir, Owen Rees's "Music from Renaissance Portugal" album is number 3 out of 18. Based on our statistics, Missa pro defunctis: Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defunctis: Kyrie by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Varyto, JW 8/3 | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
Cumque Evigilasset - I 1000 anni dell'Abbaxzia di San miniato al Monte di Firenze | Giuseppe Scali, Coro Gregoriano di San Giovanni Evangelista di Empoli, Francesco Pelagotti, Andrea Franchi, Piero Gelli, Adriano Marchiori, Claudio Marradi, Giampaolo Pratesi, Tommaso Stella | B♭ Major | 1 | 6B | 72 BPM | ||
Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas | The Tallis Scholars, Peter Phillips | B Minor | 0 | 10A | 83 BPM | ||
Missa Elisabeth Zachariae: IIIa. Credo in unum Deum | Duarte Lobo, Luís Toscano, Cupertinos | G Minor | 2 | 6A | 71 BPM | ||
Magi veniunt ab oriente: II. Magi videntes stellam | Jacob Clemens non Papa, Owain Park, The Gesualdo Six | B Minor | 1 | 10A | 86 BPM | ||
Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
Missa pro defunctis a 8 "Requiem": II. Kyrie | Duarte Lobo, Gavin Turner, William Byrd Choir | B♭ Minor | 1 | 3A | 130 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus | C Major | 0 | 8B | 127 BPM | ||
Messa a quattro voci, SV 190: I. Kyrie | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | B Minor | 1 | 10A | 130 BPM |
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