Heitor Villa-Lobos, Julian Bream's 'Twelve Etudes: Allegro No. 1, Non troppo - Lento' came out on 1978. The duration of Twelve Etudes: Allegro No. 1, Non troppo - Lento is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Twelve Etudes: Allegro No. 1, Non troppo - Lento's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Villa-Lobos: 12 Etudes for Guitar & Suite populaire brésilienne by Heitor Villa-Lobos, Julian Bream. The song's track number on the album is #1 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Twelve Etudes: Allegro No. 1, Non troppo - Lento's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Twelve Etudes: Allegro No. 1, Non troppo - Lento by Heitor Villa-Lobos, Julian Bream has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Twelve Etudes: Allegro No. 1, Non troppo - Lento being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) | Joseph-Nicolas-Pancrace Royer, Raphaël Feuillâtre | D Minor | 2 | 7A | 130 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Debussy: Syrinx, L. 129: Syrinx (Très modéré - Un peu mouvementé) | Claude Debussy, Emmanuel Pahud | A♭ Major | 0 | 4B | 65 BPM | ||
Lyric Piece in E Minor, Op. 57/6: Homesickness | Edvard Grieg, Khatia Buniatishvili | E Minor | 0 | 9A | 87 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
4 Sketches, Op. 15: No. 4. Fireflies | Amy Beach, Joel Fan | A Minor | 1 | 8A | 135 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Romanza | Miguel Llobet Solés, Lorenzo Micheli | C Major | 0 | 8B | 109 BPM | ||
Violetas (arr. Christoph Denoth) | Julio Sagreras, Christoph Denoth | E Minor | 1 | 9A | 141 BPM |
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