"Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 2. Adagio" by Johann Sebastian Bach, Gabrieli, Paul McCreesh was released on April 3, 2021. The duration of Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 2. Adagio is about 3 minutes long, at 3:26. Based on our data, "Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 2. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 50 in Bach - Easter by Johann Sebastian Bach. Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 2. Adagio by Johann Sebastian Bach, Gabrieli, Paul McCreesh is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | D Minor | 3 | 7A | 94 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM |
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