Pierre Boulez, Pi-hsien Chen's 'Douze Notations Pour Piano (1945): Rapide' came out on 2005. With Douze Notations Pour Piano (1945): Rapide being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Notations & Piano Sonatas". In this album, this song's track order is #6. In terms of popularity, Douze Notations Pour Piano (1945): Rapide is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Douze Notations Pour Piano (1945): Rapide by Pierre Boulez, Pi-hsien Chen having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Kantate Op. 29 For Soprano, Mixed Chorus And Orchestra: III. Ruhig "Tönen die seligen Saiten" | Anton Webern, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez, BBC Singers | F♯ Minor | 0 | 11A | 74 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348, XI. Minuet | George Frideric Handel, Pierre Boulez, New York Philharmonic | F Major | 1 | 7B | 102 BPM | ||
Répons: Introduction | Pierre Boulez, Ensemble Intercontemporain | B Major | 1 | 1B | 80 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | E Major | 0 | 12B | 92 BPM | ||
Petrouchka / Tableau III: Chez le Maure | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | A♭ Major | 0 | 4B | 99 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Pierrot Lunaire, Op. 21 / Part 3: XX. Heimfahrt | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | A♭ Major | 0 | 4B | 117 BPM |
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