Krzysztof Penderecki, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester's 'Penderecki: Flute Concerto: V. Poco meno mosso' came out on October 25, 2019. With Penderecki: Flute Concerto: V. Poco meno mosso being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 14 in Dreamtime by Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Penderecki: Flute Concerto: V. Poco meno mosso's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Penderecki: Flute Concerto: V. Poco meno mosso by Krzysztof Penderecki, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | A♭ Major | 1 | 4B | 141 BPM | ||
Kadisz: II. Lezy na ziemi po ulicach dziecie, i starzec: Grave, senza misura | Krzysztof Penderecki, Daniel Olbrychski, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | A♭ Minor | 1 | 1A | 107 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Missa pro defunctis (1650): III. Symphonia | Philippus van Steelant, B'Rock Orchestra, Frank Agsterribbe | D Major | 0 | 10B | 136 BPM | ||
Musical Toys: 6. Song of the fisherman | Sofia Gubaidulina, Claire-Marie Le Guay | G Minor | 0 | 6A | 66 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 12. Tempo di menuetto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | D Minor | 0 | 7A | 79 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM |
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