Notre Dame, Op. 2: Act II Scene 1: Intermezzo
Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick
Schmidt, F.: Notre Dame [Opera]
3:04 January 1, 1989
BPM
80
Key
E Major
Camelot
12B

Embed

Share Link

Notre Dame, Op. 2: Act II Scene 1: Intermezzo - Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick Information

Acousticness
98%
Danceability
28%
Energy
26%
Instrumentalness
11%
Liveness
18%
Loudness
74%
Speechiness
4%
Valence
17%
Popularity
Loudness
-15.349 dB

Summary

"Notre Dame, Op. 2: Act II Scene 1: Intermezzo" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick was released on January 1, 1989. The duration of Notre Dame, Op. 2: Act II Scene 1: Intermezzo is about 3 minutes long, at 3:04. Based on our data, "Notre Dame, Op. 2: Act II Scene 1: Intermezzo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Schmidt, F.: Notre Dame [Opera]". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Notre Dame, Op. 2: Act II Scene 1: Intermezzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Notre Dame, Op. 2: Act II Scene 1: Intermezzo BPM

With Notre Dame, Op. 2: Act II Scene 1: Intermezzo by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Notre Dame, Op. 2: Act II Scene 1: Intermezzo Key

E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto by Georges Bizet, Jesús López-Cobos, Cincinnati Symphony OrchestraL’arlésienne Suite No. 1, Op. 23bis, WD 40: III. AdagiettoGeorges Bizet, Jesús López-Cobos, Cincinnati Symphony OrchestraF Major17B60 BPM
Das Buch mit Sieben Siegeln: Gnade sie mit euch (Johannes) by Franz Schmidt, Franz Welser-Möst, Franz Welser-Moest, Bavarian Radio Symphony OrchestraDas Buch mit Sieben Siegeln: Gnade sie mit euch (Johannes)Franz Schmidt, Franz Welser-Möst, Franz Welser-Moest, Bavarian Radio Symphony OrchestraC Major08B81 BPM
Adriana Lecouvreur: Intermezzo by Francesco Cilea, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan, Royal Liverpool Philharmopnic OrchestraAdriana Lecouvreur: IntermezzoFrancesco Cilea, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan, Royal Liverpool Philharmopnic OrchestraF Major07B79 BPM
A Fugal Concerto, Op. 40: II. Adagio by Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly BotvayA Fugal Concerto, Op. 40: II. AdagioGustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly BotvayG Major29B144 BPM
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus by Edward Elgar, Gabrieli, Paul McCreesh, Nicky SpenceThe Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus DeusEdward Elgar, Gabrieli, Paul McCreesh, Nicky SpenceD Major010B85 BPM
Third Movement Moderate Pesante by Sir Adrian Boult, Vaughan Williams, London Philharmonic OrchestraThird Movement Moderate PesanteSir Adrian Boult, Vaughan Williams, London Philharmonic OrchestraG Minor16A79 BPM
Symphony No. 3 In C Major, Op. 43, Symphony No. 3 In C Major, Op. 43, "Le Divin Poeme" (The Divine Poem): I. LentoMoscow Symphony Orchestra, Dmitri Lokalenkov, Alexander ScriabinD Major010B165 BPM
Symphony No. 1 in E Major: IV. Lebhaft, doch nicht zu schnell by Franz Schmidt, Jonathan Berman, BBC National Orchestra Of WalesSymphony No. 1 in E Major: IV. Lebhaft, doch nicht zu schnellFranz Schmidt, Jonathan Berman, BBC National Orchestra Of WalesB♭ Major16B91 BPM
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo by Gustav Mahler, Mahler Academy Orchestra, Philipp von SteinaeckerSymphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodoGustav Mahler, Mahler Academy Orchestra, Philipp von SteinaeckerD Major110B109 BPM
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft by Paul Hindemith, Leonard Bernstein, New York PhilharmonicKonzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit KraftPaul Hindemith, Leonard Bernstein, New York PhilharmonicD Minor37A88 BPM
ISRC
US2TL0902414
Label
L-M Records/RCA Records

Section: 0.6149818897247314

End: 0.61962890625