"Don Quijote de la Mancha: Obradors, Consejo (Recorded 1937)" by Fernando Obradors, Lucrezia Bori, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Don Quijote de la Mancha: Obradors, Consejo (Recorded 1937)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra's "Lucrezia Bori in Opera and Song" album is number 43 out of 43. In terms of popularity, Don Quijote de la Mancha: Obradors, Consejo (Recorded 1937) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Quijote de la Mancha: Obradors, Consejo (Recorded 1937) by Fernando Obradors, Lucrezia Bori, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | D Major | 1 | 10B | 76 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Liederkreis, Op. 39: In der Fremde | Robert Schumann, Jessye Norman, Irwin Gage | C Major | 9 | 8B | 136 BPM | ||
Mahler: Rückert-Lieder: No. 2, "Ich atmet' einen linden Duft!" | Gustav Mahler, Joyce DiDonato, Maxim Emelyanychev | D Major | 1 | 10B | 91 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Sechs Lieder, Op. 48: Ein Traum, Op. 48/6 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | E♭ Major | 2 | 5B | 83 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
Bella porta di rubini | Andrea Falconieri, Elisabetta Pallucchi, Filippo Farinelli | F Major | 1 | 7B | 118 BPM | ||
Mozart: An die Einsamkeit, K. 391 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
26 Welsh Songs, WoO 155: No. 18, Sweet Richard | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 110 BPM |