John Dowland, Julian Bream, Edith Steinbauer, Beatrice Reichert, Frieda Litschauer, Ernst Knava, Golden Age Singers, Margaret Field-Hyde made "Second Booke of Songes, 1600: 22. Humor say what mak'st thou here" available on December 23, 2020. The duration of Second Booke of Songes, 1600: 22. Humor say what mak'st thou here is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Second Booke of Songes, 1600: 22. Humor say what mak'st thou here's duration is considered a little bit shorter than the average duration of a typical track. The song is number 36 out of 69 in Dowland - Great Recordings by John Dowland. In terms of popularity, Second Booke of Songes, 1600: 22. Humor say what mak'st thou here is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Second Booke of Songes, 1600: 22. Humor say what mak'st thou here by John Dowland, Julian Bream, Edith Steinbauer, Beatrice Reichert, Frieda Litschauer, Ernst Knava, Golden Age Singers, Margaret Field-Hyde is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sua Corrente | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 1 | 12A | 135 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
The English Dancing Master: Parson's Farewell | John Playford, Dorothee Oberlinger | C Major | 1 | 8B | 112 BPM | ||
Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM | ||
Tarleton’s Resurrection | John Dowland, Christoph Denoth | A Major | 0 | 11B | 76 BPM | ||
Passacaglia | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 1 | 8A | 88 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 118 BPM |
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