On October 22, 2008, the song "Romanian Folk Dances (arr. Szekely): No. 2 Sash Dance" was released by Béla Bartók, Philippe Graffin, Claire Désert. With Romanian Folk Dances (arr. Szekely): No. 2 Sash Dance being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Philippe Graffin, Claire Désert's "Hungarian Dances" album is number 11 out of 26. Based on our statistics, Romanian Folk Dances (arr. Szekely): No. 2 Sash Dance's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Romanian Folk Dances (arr. Szekely): No. 2 Sash Dance by Béla Bartók, Philippe Graffin, Claire Désert to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Nocturne in F Minor "La séparation" | Mikhail Glinka, Alexei Lubimov | F Minor | 0 | 4A | 100 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
Tchaikovsky: The Seasons, Op. 37a: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Minor | 0 | 7A | 135 BPM | ||
Romanian Folk Dances, Sz. 56 (Arr. A. Levering for Flute & Guitar): No. 1, Joc cu bâta | Béla Bartók, Irene Kalisvaart, Britta Jacobs | A Minor | 1 | 8A | 95 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM |
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