"Te Deum, Op. 103, B. 176: 4. Dignare Domine" by Antonín Dvořák, Kateřina Kněžíková, Svatopluk Sem, Prague Philharmonic Choir, Czech Philharmonic, Jakub Hrůša was released on March 20, 2020. Te Deum, Op. 103, B. 176: 4. Dignare Domine is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 27 out of 27 in Dvořák: Requiem, Biblical Songs, Te Deum by Antonín Dvořák, Czech Philharmonic, Jakub Hrůša, Jiří Bělohlávek, Prague Philharmonic Choir, Jan Martiník, Ailyn Pérez, Christianne Stotijn, Michael Spyres, Svatopluk Sem. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Te Deum, Op. 103, B. 176: 4. Dignare Domine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, Op. 103, B. 176: 4. Dignare Domine by Antonín Dvořák, Kateřina Kněžíková, Svatopluk Sem, Prague Philharmonic Choir, Czech Philharmonic, Jakub Hrůša is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Piano Concerto in A Minor, Op.16: I. Allegro molto moderato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | A Minor | 1 | 8A | 95 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM |
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