- BPM
- 175
- Key
- G Major
- Camelot
- 9B
Goldberg Variations, BWV 988: Var. 14 a 2 Clav. - Johann Sebastian Bach, Catrin Finch Information
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 29%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 72%
- Speechiness
- 3%
- Valence
- 63%
- Popularity
- 9%
- Loudness
- -16.513 dB
Summary
Johann Sebastian Bach, Catrin Finch made "Goldberg Variations, BWV 988: Var. 14 a 2 Clav." available on January 1, 2008. With Goldberg Variations, BWV 988: Var. 14 a 2 Clav. being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 32 in Bach, J.S.: Goldberg Variations, BWV 988 by Johann Sebastian Bach, Catrin Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Goldberg Variations, BWV 988: Var. 14 a 2 Clav. is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Goldberg Variations, BWV 988: Var. 14 a 2 Clav. BPM
The tempo marking of Goldberg Variations, BWV 988: Var. 14 a 2 Clav. by Johann Sebastian Bach, Catrin Finch is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Goldberg Variations, BWV 988: Var. 14 a 2 Clav. Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | |
 | Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | |
 | Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | |
 | Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | |
 | Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | |
 | Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | |
 | Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | 3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | |
 | Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM |
- ISRC
- DEN960830215
- Label
- L-M Records/RCA Records
Section: 0.6097700595855713
End: 0.6143267154693604