- BPM
- 121
- Key
- F Major
- Camelot
- 7B
12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation V - Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda Information
- Acousticness
- 99%
- Danceability
- 55%
- Energy
- 20%
- Instrumentalness
- 38%
- Liveness
- 20%
- Loudness
- 73%
- Speechiness
- 6%
- Valence
- 73%
- Popularity
- 0%
- Loudness
- -16.314 dB
Summary
Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda made "12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation V" available on November 14, 2020. With 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation V being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 33 out of 204 in Beethoven Legendary Recordings by Ludwig van Beethoven. Based on our statistics, 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation V's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation V BPM
The tempo marking of 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation V by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation V Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | |
 | Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | |
 | 10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | |
 | Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | |
 | Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7112815380096436
End: 0.7159860134124756