François Couperin, Pierre Fournier, Lucerne Festival Strings, Rudolf Baumgartner's 'Pièces En Concert For Cello & Strings - Arr. Paul Bazelaire: 2. Sicilienne' came out on January 1, 2005. The duration of Pièces En Concert For Cello & Strings - Arr. Paul Bazelaire: 2. Sicilienne is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Pièces En Concert For Cello & Strings - Arr. Paul Bazelaire: 2. Sicilienne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 77 in the song's album "Pierre Fournier - Aristocrat of the Cello". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of Pièces En Concert For Cello & Strings - Arr. Paul Bazelaire: 2. Sicilienne is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pièces En Concert For Cello & Strings - Arr. Paul Bazelaire: 2. Sicilienne by François Couperin, Pierre Fournier, Lucerne Festival Strings, Rudolf Baumgartner having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Petits Âges - La Muse Naissante: 7ème ordre, 2ème livre | François Couperin, Iddo Bar-Shaï | G Major | 1 | 9B | 71 BPM | ||
Les Baricades Mistérieuses: 6ème ordre, 2ème livre | François Couperin, Iddo Bar-Shaï | B♭ Major | 0 | 6B | 90 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM |
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