Marin Marais, François Joubert-Caillet, L'Achéron's 'Quatrième suite in A Minor: No. 5, Caprice' came out on October 15, 2021. With Quatrième suite in A Minor: No. 5, Caprice being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Quatrième livre de pièces de viole" album is number 14 out of 105. On top of that, Belgium appears to be the country where this track was created. Quatrième suite in A Minor: No. 5, Caprice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatrième suite in A Minor: No. 5, Caprice by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Sonata terza a violoncello solo e basso continuo: III. Largo | Giovanni Benedetto Platti, Hanna Salzenstein, Thibaut Roussel, Albéric Boullenois | D♭ Minor | 6 | 12A | 157 BPM | ||
Chamber Sonata No. 4 in G Minor: VII. Aria affettuoso - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 0 | 11A | 71 BPM | ||
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman | John Dowland, Phantasm, Elizabeth Kenny | F♯ Minor | 1 | 11A | 168 BPM | ||
Concerto V in G Minor: III. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: II. Sarabande | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Folia. Recercada 8ª | Diego Ortiz, La Reverencia | C Major | 4 | 8B | 126 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM |
Section: 0.46479249000549316
End: 0.4692718982696533