Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein made "Symphony No.29 In A Major K.186a (K. 201): Allegro moderato" available on January 1, 1990. Since Symphony No.29 In A Major K.186a (K. 201): Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein's "Mozart: Symphonies Nos.25 & 29 / Clarinet Concerto" album is number 1 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No.29 In A Major K.186a (K. 201): Allegro moderato's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No.29 In A Major K.186a (K. 201): Allegro moderato by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Entr'acte-Valse | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | E Major | 0 | 12B | 181 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Major | 4 | 8B | 87 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai (Cadenza by Anda) | Wolfgang Amadeus Mozart, Géza Anda, Camerata Salzburg | C Major | 2 | 8B | 100 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Symphony No. 4 in F Minor, Op. 36, TH 27: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | D♭ Major | 0 | 3B | 88 BPM | ||
In Saus und Braus | Carl Millöcker, Riccardo Muti, Wiener Philharmoniker | F Major | 4 | 7B | 84 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") | Gustav Mahler, Latonia Moore, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | F♯ Major | 0 | 2B | 78 BPM | ||
Tristan und Isolde / Act 1: Prelude - Langsam und smachtend | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | E Major | 1 | 12B | 85 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM |
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