"Dutilleux: Cello Concerto (Tout un monde lointain): IV. Miroirs [Lent et extatique]" by Henri Dutilleux, Mstislav Rostropovich, Serge Baudo, Orchestre de Paris was released on 1969. Dutilleux: Cello Concerto (Tout un monde lointain): IV. Miroirs [Lent et extatique] is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 4 out of 12 in Dutilleux: Tout un monde lointain - Lutoslawski: Cello Concerto - Jolivet: Cello Concerto No. 2 by Mstislav Rostropovich. In terms of popularity, Dutilleux: Cello Concerto (Tout un monde lointain): IV. Miroirs [Lent et extatique] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dutilleux: Cello Concerto (Tout un monde lointain): IV. Miroirs [Lent et extatique] by Henri Dutilleux, Mstislav Rostropovich, Serge Baudo, Orchestre de Paris is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gurrelieder / Pt. 1: I. Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): IV. First Dance - Dance of the Princess in the Forest, Pt. 2 | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Clarinet Quintet: I. Funny Siciliana | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | G Minor | 1 | 6A | 182 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 1, Prélude - No. 2, Scène de l’hiver | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Tristan: I. Prologue | Hans Werner Henze, Igor Levit, Franz Welser-Möst, Gewandhausorchester | E Minor | 0 | 9A | 94 BPM | ||
Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Flute Concerto in D Major, Op. 283: I. Allegro molto moderato | Carl Reinecke, Sébastian Jacot, Odense Symfoniorkester, David Björkman | D Major | 1 | 10B | 172 BPM |
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