Francis Lopez, Roberto Alagna, Yvan Cassar, Paris Symphonic Orchestra, Christophe Guiot, Claude Engel, Laurent Vernerey, Nicolas Montazaud, Stéphane Limonaire made "Ruiseñor" available on January 1, 2006. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Roberto Alagna's "Mexico : Roberto Alagna canta a Luis Mariano" album is number 13 out of 17. In terms of popularity, Ruiseñor is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ruiseñor by Francis Lopez, Roberto Alagna, Yvan Cassar, Paris Symphonic Orchestra, Christophe Guiot, Claude Engel, Laurent Vernerey, Nicolas Montazaud, Stéphane Limonaire to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Mediterranee | Mic, Francis Lopez, Jean-Claude Hartemann, Orchestre Raymond Saint-Paul, Choeurs Raymond Saint-Paul | E Major | 5 | 12B | 133 BPM | ||
Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Four Songs, Op. 2: Oriental Romance | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F♯ Minor | 0 | 11A | 166 BPM | ||
Valse De L'empereur | Franck Pourcel | C Major | 3 | 8B | 179 BPM | ||
La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Paris canaille | Yves Montand | G Major | 5 | 9B | 142 BPM |
Section: 0.5902221202850342
End: 0.5941817760467529