"Dalvisa" by Hugo Alfvén, Carl Wilhelm Böttiger, Uppsala University Chamber Choir, Stefan Parkman had its release date on January 1, 1988. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Stemning". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Sweden. Dalvisa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dalvisa by Hugo Alfvén, Carl Wilhelm Böttiger, Uppsala University Chamber Choir, Stefan Parkman having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gammal fäbodpsalm från Dalarna | Oskar Lindberg, Vegard Landaas, Anders Eidsten Dahl | B Minor | 0 | 10A | 66 BPM | ||
Forkladd gud (The Disguised God), Op. 24: Välsignelse följer i gudarnas spår … (Blessings follow in the wake of the gods …) (Chorus) | Hillevi Martinpelto, Karl-Magnus Fredriksson, Gustaf Sjökvists Kammarkör, Bjorn Granath, Royal Stockholm Philharmonic Orchestra, Gustaf Sjokvist | G Major | 2 | 9B | 115 BPM | ||
Kärlekens tid | Benny Anderssons Orkester, Helen Sjöholm, Duvemålakören | D Minor | 2 | 7A | 83 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
Ned I Vester Soli Glader | Oslo Kammerkor | C Minor | 1 | 5A | 176 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Sunrise Mass: II. Sunrise | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
O Salve Regina | Alice Tegner, Lund Korallerna Girls Choir, Lund Cantores Cathedrales, Eva Svanholm Bohlin | G Minor | 1 | 6A | 82 BPM | ||
7 Dikter av Ernest Thiel, Op. 28: No. 1, Djupt hos friborna människor bor | Hugo Alfvén, Elin Rombo, Peter Friis Johansson | B♭ Major | 0 | 6B | 68 BPM |