Jeanne Marie Bima, Georg Mönch & Massimiliano Damerini's 'Wiegenliedchen, Op. 124, N. 6 (Schumann)' came out on 1995. The duration of Wiegenliedchen, Op. 124, N. 6 (Schumann) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Wiegenliedchen, Op. 124, N. 6 (Schumann)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 19 in Berceuse / Lullaby / Wiegenlied by Jeanne Marie Bima, Georg Mönch & Massimiliano Damerini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Wiegenliedchen, Op. 124, N. 6 (Schumann) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wiegenliedchen, Op. 124, N. 6 (Schumann) by Jeanne Marie Bima, Georg Mönch & Massimiliano Damerini is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes-Tableaux, Op. 39: No. 6 in A minor - Live At The Royal Albert Hall/2012 | Sergei Rachmaninoff, Valentina Lisitsa | A Minor | 3 | 8A | 103 BPM | ||
Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter): II. Largo | Antonio Vivaldi, Alberto Lizzio, Musici di San Marco | B♭ Major | 1 | 6B | 67 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 No. 1 | Johannes Brahms, Julius Katchen | G Minor | 2 | 6A | 87 BPM | ||
The Rustle of Spring, Op. 32/3 | Christian Sinding, Latvian Philharmonic Orchestra, Ilmar Lapinsch | F Minor | 1 | 4A | 93 BPM | ||
Prelude No. 13 in F sharp Major Op. 28: Lento | Joanna Brezezinska | F♯ Major | 0 | 2B | 71 BPM | ||
Waltz No. 9 in A-Flat Major, Op. 69 No. 1 "The Farewell" | Pamela Howland | A♭ Major | 0 | 4B | 85 BPM | ||
String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Bengt Ericson, Karin Langebo | E♭ Major | 0 | 5B | 81 BPM | ||
Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM |
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