"Beethoven: 12 Contredanses, WoO 14: No. 8 in C Major" by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields was released on May 17, 2024. With Beethoven: 12 Contredanses, WoO 14: No. 8 in C Major being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 24 in the song's album "The Academy in Concert. Albinoni: Adagio - Pachelbel: Canon - Bach: Air & Music By Beethoven, Handel, Mendelssohn, Mozart". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. The popularity of Beethoven: 12 Contredanses, WoO 14: No. 8 in C Major is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beethoven: 12 Contredanses, WoO 14: No. 8 in C Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Tänzerin Fanny Elssler: Draußen in Sievering (Act 2) | Johann Strauss II, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
6 Hungarian Dances: No. 3. Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | F Major | 0 | 7B | 123 BPM | ||
Andante e Rondo ungarese in C Minor, Op. 35, J. 158: Rondo. Adagio | Carl Maria von Weber, Milan Turkovic, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 1 | 8A | 71 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata IV. "Deus meus, ut quid dereliquisti me?" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Ungarische Galoppe Oder Frischka, Op. 36: No. 3 In A Major | Slovak Sinfonietta, Zilina, Johann Strauss I | A Major | 2 | 11B | 124 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato | Ludwig van Beethoven, Reed Tetzloff, Prague Philharmonic Orchestra, Paweł Kapuła | E♭ Major | 1 | 5B | 88 BPM | ||
Albinoni: Adagio in G Minor | Remo Giazotto, Tomaso Albinoni, Sir Neville Marriner, Iona Brown, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 88 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Romance No. 1 In G Major, Op. 40 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | G Major | 0 | 9B | 88 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM |
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