Slovak Sinfonietta, Zilina, Johann Strauss I made "Ungarische Galoppe Oder Frischka, Op. 36: No. 3 In A Major" available on October 29, 2003. With Ungarische Galoppe Oder Frischka, Op. 36: No. 3 In A Major being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Sinfonietta, Zilina's "Johann Strauss I: Edition - Vol. 3" album is number 12 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Ungarische Galoppe Oder Frischka, Op. 36: No. 3 In A Major's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ungarische Galoppe Oder Frischka, Op. 36: No. 3 In A Major by Slovak Sinfonietta, Zilina, Johann Strauss I to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
アヴェ・マリア | Johann Sebastian Bach, Yoshie Ueno, 三浦友理枝 | C Major | 0 | 8B | 135 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): III. Im Volkston | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
交響曲 第40番 K.550~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Minor | 3 | 6A | 133 BPM | ||
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Kurt Masur, Gewandhausorchester | B Minor | 1 | 10A | 72 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | D Major | 0 | 10B | 119 BPM | ||
Gesellschafts-Galoppe (Society Galop), Op. 17 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | A Major | 2 | 11B | 135 BPM | ||
Piano Concerto No. 5 in E-Flat Major: I. Allegro | Leopold Koželuch, Tomas Dratva, Slovak Sinfonietta, Zilina, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 130 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Mini Romance | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Strauss, Josef: Geheime Anziehungskräfte, Op. 173 | Josef Strauss, Rudolf Kempe, Wiener Philharmoniker | E Major | 1 | 12B | 144 BPM |
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