Jean-Marie Leclair, Pavel Hula, Bohumil Kotmel made "6 Sonatas for 2 Violins, Op. 3, No. 5 in E Minor: II. Gavotte - Andante grazioso" available on January 1, 1993. The duration of 6 Sonatas for 2 Violins, Op. 3, No. 5 in E Minor: II. Gavotte - Andante grazioso is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 6 Sonatas for 2 Violins, Op. 3, No. 5 in E Minor: II. Gavotte - Andante grazioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pavel Hula, Bohumil Kotmel's "Leclair, Viotti, Spohr, Beriot: Due virtuosi" album is number 2 out of 12. Based on our statistics, 6 Sonatas for 2 Violins, Op. 3, No. 5 in E Minor: II. Gavotte - Andante grazioso's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 6 Sonatas for 2 Violins, Op. 3, No. 5 in E Minor: II. Gavotte - Andante grazioso by Jean-Marie Leclair, Pavel Hula, Bohumil Kotmel to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Sonata No. 5 in E Minor, RV 40, Op. 14: I. Largo | Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker | E♭ Minor | 1 | 2A | 140 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Vivaldi: Concerto for Two Violins and Two Cellos in D Major, RV 564: II. Largo | Antonio Vivaldi, Europa Galante, Fabio Biondi, Antonio Fantinuoli, Maurizio Naddeo, Raffaello Negri | F♯ Major | 2 | 2B | 124 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM |
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