Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel made "Cello Concerto in G Minor, RV 416: II. Adagio" available on February 2, 2024. The duration of Cello Concerto in G Minor, RV 416: II. Adagio is about 3 minutes long, at 3:20. Based on our data, "Cello Concerto in G Minor, RV 416: II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #17 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Cello Concerto in G Minor, RV 416: II. Adagio's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Cello Concerto in G Minor, RV 416: II. Adagio by Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Cello Concerto in G Minor, RV 416: II. Adagio being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in B-Flat Major, RV 501 "La Notte": III. Il Sonno. Andante Molto | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | ||
Concerto for Violin & Organ in C Major, RV 774 (Reconstructed by F.M. Sardelli): II. Adagio | Antonio Vivaldi, Federico Guglielmo, Roberto Loreggian, Modo Antiquo, Federico Maria Sardelli | B Major | 2 | 1B | 127 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Overture for Orchestra in D Major, FWV K:D3: I. Ouverture | Johann Friedrich Fasch, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 182 BPM | ||
Violin Concerto In B Flat Major, RV 380: I. Andante Molto | L'Arte dell' Arco, Giovanni Guglielmo, Antonio Vivaldi | B♭ Major | 1 | 6B | 129 BPM | ||
Quatrième suite in A Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
Violin Concerto in G Minor, BWV 1056: I. Allegro | Johann Sebastian Bach, Leonidas Kavakos, The Apollon Ensemble | F♯ Minor | 4 | 11A | 118 BPM | ||
Mystery (Rosary) Sonata No. 10, "The Crucifixion": II. Aria - Variations | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A Major | 1 | 11B | 85 BPM |
Section: 0.730910062789917
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