Maria Bayo, J.A. Alvarez-Parejo made "Canciones Amatorias: IV. Iban al pinar" available on January 1, 1992. With Canciones Amatorias: IV. Iban al pinar being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. Canciones Amatorias: IV. Iban al pinar is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Canciones Amatorias: IV. Iban al pinar by Maria Bayo, J.A. Alvarez-Parejo is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zeffiretti Lusinghieri - Idomeneo, K 366 | Wolfgang Amadeus Mozart, Maria Bayo, Orquesta Sinfónica de Galicia, Victor Pablo Pérez | F♯ Minor | 5 | 11A | 84 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "O Silver Moon" | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 61 BPM | ||
Antigona - Opera in Three Acts - Revised Aldo Rocchi (1908-1982) - Act 2: Ascolta il nostro pianto | Tommaso Traetta, Maria Bayo, Ensemble Accentus, Les Talens Lyriques, Christophe Rousset | F Minor | 0 | 4A | 94 BPM | ||
La Calisto, Act I Scene 11: "Piangete sospirate!" (Calisto) | Francesco Cavalli, René Jacobs, Maria Bayo, Gilles Ragon, Concerto Vocale | A Major | 1 | 11B | 82 BPM | ||
La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
La Calisto, Act I Scene 4: "Non è maggior piacere" (Calisto) | Francesco Cavalli, René Jacobs, Maria Bayo, Concerto Vocale | F Major | 1 | 7B | 116 BPM | ||
L'Olimpiade, RV 725 / Act 2: Tra le follie... Siam navi all'onde algenti | Antonio Vivaldi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | C Major | 2 | 8B | 83 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
La Rondine / Act 2: "Bevo al tuo fresco sorriso" | Giacomo Puccini, Renée Fleming, Jonas Kaufmann, Barbara Vignudelli, Paolo Cautoruccio, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E♭ Major | 3 | 5B | 83 BPM | ||
La Taberna del Puerto, Act II, Scene 7: Marola Resuena en el Oído (Marola, Abel, Ripalda) | Pablo Sorozábal, Orquesta Sinfónica de Galicia, Victor Pablo Pérez, Maria Bayo, Isabel Monar, Emilio Sanchez | F Major | 3 | 7B | 52 BPM |
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