"Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 4, Letztes Lied des Harfenspielers" by Johann Friedrich Reichardt, Maria Graf, Dietrich Fischer-Dieskau was released on January 1, 2016. With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 4, Letztes Lied des Harfenspielers being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 4, Letztes Lied des Harfenspielers is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 4, Letztes Lied des Harfenspielers by Johann Friedrich Reichardt, Maria Graf, Dietrich Fischer-Dieskau having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
Invocation (based on Mozart’s Le nozze di Figaro, K. 492) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | A Minor | 1 | 8A | 174 BPM | ||
6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) | Carl Reinecke, Ludwig van Beethoven, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | D Major | 1 | 10B | 77 BPM | ||
Nachtlied: Die Nacht ist kommen, Op. 138/3 | Max Reger, Thomas Hengelbrock | B Minor | 0 | 10A | 176 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Sir Colin Davis | G Major | 1 | 9B | 145 BPM | ||
Zärtliche Liebe, WoO 123 "Ich liebe dich" | Ludwig van Beethoven, Fritz Wunderlich, Rolf Reinhardt | G Major | 2 | 9B | 91 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Liebesliederwalzer, Op. 52: V. Die grüne Hopfenranke | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Stella Doufexis, Marlis Petersen, Christoph Berner, Camillo Radicke, Konrad Jarnot | A♭ Major | 1 | 4B | 140 BPM | ||
Dir, Dir, Jehova, Will Ich Singen BWV 452 | Calmus Ensemble | A Major | 3 | 11B | 112 BPM |
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