"The Evening Watch" by Benjamin Rowarth, Rodolfus Choir, Ralph Allwood was released on November 20, 2015. The Evening Watch is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Time and Its Passing". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. The Evening Watch is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Evening Watch by Benjamin Rowarth, Rodolfus Choir, Ralph Allwood having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in G Minor: I. Kyrie | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | D Minor | 0 | 7A | 88 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
Verbum Supernum Prodiens | Millikin University Choir | D Minor | 1 | 7A | 131 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 6. Quia Hodie Maria Virgo Cum Christo 2 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
The Lamb | Zuzanna Koziej, Ensemble Altera, Christopher Lowrey | D♭ Major | 2 | 3B | 100 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
Crucifixus à 6 | Antonio Lotti, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin | G Major | 5 | 9B | 178 BPM | ||
Omnis qui se exaltat | Johannes Wanning, Cappella Gedanensis | G Minor | 3 | 6A | 97 BPM | ||
Fericirile | Corul National de Camera Madrigal - Marin Constantin | A Major | 2 | 11B | 175 BPM |
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