"Triple Concerto in C Major, Op. 56: II. Largo" by Ludwig van Beethoven, Isabelle Faust, Jean-Guihen Queyras, Alexander Melnikov, Pablo Heras-Casado, Freiburger Barockorchester was released on February 26, 2021. The duration of Triple Concerto in C Major, Op. 56: II. Largo is about 3 minutes long, at 3:29. Based on our data, "Triple Concerto in C Major, Op. 56: II. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 7 in Beethoven: Triple Concerto, Op. 56 & Trio, Op. 36 by Ludwig van Beethoven, Freiburger Barockorchester, Jean-Guihen Queyras, Alexander Melnikov, Pablo Heras-Casado, Isabelle Faust. Triple Concerto in C Major, Op. 56: II. Largo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Triple Concerto in C Major, Op. 56: II. Largo by Ludwig van Beethoven, Isabelle Faust, Jean-Guihen Queyras, Alexander Melnikov, Pablo Heras-Casado, Freiburger Barockorchester is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Trio in E-Flat Major, Op. 40: I. Andante (Poco più animato) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Major | 1 | 5B | 92 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Die Geschichte vom Soldaten, 1 Teil 1 Szene: Marsch des Soldaten. Marschmelodie | Igor Stravinsky, Isabelle Faust, Dominique Horwitz, Lorenzo Coppola, Javier Zafra, Reinhold Friedrich, Jörgen Van Rijen, Wies de Boevé, Raymond Curfs | D Major | 3 | 10B | 122 BPM | ||
String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante, ma moderato | Johannes Brahms, WDR Symphony Orchestra Cologne Chamber Players | D Major | 1 | 10B | 90 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Der Herbst: "Was durch seine Blüte" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen | F Major | 0 | 7B | 79 BPM | ||
Introduttioni teatrali, Op. 4: No. 3 in B-Flat Major | Pietro Locatelli, Freiburger Barockorchester, Thomas Hengelbrock | B Major | 2 | 1B | 133 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Visions fugitives, Op. 22: XVII. Poetico | Sergei Prokofiev, Alexander Melnikov | D Major | 2 | 10B | 80 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM |
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