Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine's 'L'elisir d'amore / Act 2: "La donna è un animale"' had a release date set for January 1, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 33 in Donizetti: The Elixir of Love by Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine. L'elisir d'amore / Act 2: "La donna è un animale" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'elisir d'amore / Act 2: "La donna è un animale" by Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cublai, gran Khan dei Tartari: Fra i barbari sospetti (Alzima) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 2 | 9B | 128 BPM | ||
La Bohème / Act I: "O soave fanciulla" | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti | A Major | 0 | 11B | 78 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Paata Burchuladze, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | B♭ Major | 3 | 6B | 76 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" | Wolfgang Amadeus Mozart, Rolando Villazón, Regula Mühlemann, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Major | 3 | 10B | 123 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! | Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid | F♯ Major | 2 | 2B | 112 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Giuseppe Di Stefano, Hilde Gueden, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | F Minor | 1 | 4A | 125 BPM |