L'elisir d'amore / Act 2: "La donna è un animale"
Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine
Donizetti: The Elixir of Love
5:21 January 1, 1990
BPM
78
Key
D♭ Major
Camelot
3B

Embed

Share Link

L'elisir d'amore / Act 2: "La donna è un animale" - Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine Information

Acousticness
95%
Danceability
34%
Energy
12%
Instrumentalness
0%
Liveness
65%
Loudness
62%
Speechiness
12%
Valence
39%
Popularity
Loudness
-22.856 dB

Summary

Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine's 'L'elisir d'amore / Act 2: "La donna è un animale"' had a release date set for January 1, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 33 in Donizetti: The Elixir of Love by Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine. L'elisir d'amore / Act 2: "La donna è un animale" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

L'elisir d'amore / Act 2: "La donna è un animale" BPM

The tempo marking of L'elisir d'amore / Act 2: "La donna è un animale" by Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

L'elisir d'amore / Act 2: "La donna è un animale" Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cublai, gran Khan dei Tartari: Fra i barbari sospetti (Alzima) by Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'HarmonieCublai, gran Khan dei Tartari: Fra i barbari sospetti (Alzima)Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'HarmonieG Major29B128 BPM
La Bohème / Act I: La Bohème / Act I: "O soave fanciulla"Giacomo Puccini, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola LuisottiA Major011B78 BPM
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti"Wolfgang Amadeus Mozart, Paata Burchuladze, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper BerlinB♭ Major36B76 BPM
Rachel, quand du Seigneur (La Juive) by Richard Tucker, The Columbia Opera OrchestraRachel, quand du Seigneur (La Juive)Richard Tucker, The Columbia Opera OrchestraF Minor24A92 BPM
Norma / Act 1: Casta Diva by Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 1: Casta DivaVincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeF Major17B67 BPM
Die Zauberflöte, K. 620 / Act 2: Die Zauberflöte, K. 620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!"Wolfgang Amadeus Mozart, Rolando Villazón, Regula Mühlemann, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-SéguinD Major310B123 BPM
Casanova: Nuns' Chorus by Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius RudelCasanova: Nuns' ChorusJohann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius RudelF♯ Major22B100 BPM
Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! by Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de MadridSorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser!Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de MadridF♯ Major22B112 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleB♭ Major16B83 BPM
L'elisir d'amore / Act 2: L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!"Gaetano Donizetti, Giuseppe Di Stefano, Hilde Gueden, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-PradelliF Minor14A125 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records