"Piano Sonata No. 32 in C Minor, Op. 111: 2. Arietta: Adagio molto semplice e cantabile" by Ludwig van Beethoven, Arturo Benedetti Michelangeli was released on May 14, 1965. Piano Sonata No. 32 in C Minor, Op. 111: 2. Arietta: Adagio molto semplice e cantabile appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "The Art of Arturo Benedetti Michelangeli - Beethoven: Piano Sonata No. 32 / Galuppi: Sonata No. 5 / Scarlatti: Sonatas, K 11, 159 & 322". In this album, this song's track order is #2. In terms of popularity, Piano Sonata No. 32 in C Minor, Op. 111: 2. Arietta: Adagio molto semplice e cantabile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 32 in C Minor, Op. 111: 2. Arietta: Adagio molto semplice e cantabile by Ludwig van Beethoven, Arturo Benedetti Michelangeli having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM |
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