Richard Wagner, Peter Lagger, Roland Hermann, Plácido Domingo, Dietrich Fischer-Dieskau, Peter Maus, Roberto Banuelas, Gerd Feldhoff, Klaus Lang, Loren Driscoll, Martin Vantin, Horst Laubenthal, Karl-Ernst Mercker, Miomir Nikelic, Ivan Sardi, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll, Hans Hilsdorf's 'Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen"' came out on January 1, 1976. Since Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Meistersinger von Nürnberg by Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum. The song's track number on the album is #7 out of 44 tracks. Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen" by Richard Wagner, Peter Lagger, Roland Hermann, Plácido Domingo, Dietrich Fischer-Dieskau, Peter Maus, Roberto Banuelas, Gerd Feldhoff, Klaus Lang, Loren Driscoll, Martin Vantin, Horst Laubenthal, Karl-Ernst Mercker, Miomir Nikelic, Ivan Sardi, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll, Hans Hilsdorf has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen" being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 139 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
Tannhauser, Introduction to Act III: Tannhauser's Pilgrimage | Richard Wagner, Slovak Philharmonic, Michael Halasz | E♭ Major | 0 | 5B | 131 BPM | ||
Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Trauermarsch | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | F Minor | 1 | 4A | 128 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 101 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM |
Section: 0.7106709480285645
End: 0.7152070999145508