"The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity" by Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley was released on July 23, 2002. Since The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Vernon Handley, Barry Wordsworth, Royal Philharmonic Orchestra's "Holst: The Planets, St. Paul's Suite, Brook Green Suite" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity by Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
The Tale of the Tsar Saltan: the Flight of the Bumble Bee | Camerata Rhenania | A Major | 1 | 11B | 151 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 1, Op.46: Prelude (Morning) | Paavo Berglund | E Major | 0 | 12B | 77 BPM | ||
Grieg: Peer Gynt, Op. 23, Act II: No. 7, In the Hall of the Mountain King | Edvard Grieg, Paavo Järvi, Ellerhein Girls' Choir, Estonian National Male Choir, Estonian National Symphony Orchestra | B Minor | 2 | 10A | 115 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Bygone Days - from 'Porco Rosso' | Joe Hisaishi, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 82 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yefim Bronfman, Esa-Pekka Salonen | F Major | 0 | 7B | 83 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Egmont, Op. 84: Overture | Ludwig van Beethoven, European Festival Orchestra, Johann Walter | F Minor | 1 | 4A | 88 BPM | ||
The Queen Symphony: II: Allegretto (Pastoral) (Love of My Life - Another One Bites the Dust - Killer Queen) | Tolga Kashif, Royal Philharmonic Orchestra, London Voices, London Oratory Boys' Choir, John Lenehan | G Minor | 1 | 6A | 94 BPM |
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