"Concerto for Saxophone Quartet and Wind Ensemble: II. Moderate" by David Masklanka, David Maslanka, Iridium Quartet, Stephen K. Steele was released on October 1, 2018. Since Concerto for Saxophone Quartet and Wind Ensemble: II. Moderate is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Nolen, Iridum Quartet, Illinois State University Wind Symphony, Stephen K. Steele's "Maslanka/Magnuson: Saxophone Concertos" album is number 6 out of 7. On top of that, United States appears to be the country where this track was created. Concerto for Saxophone Quartet and Wind Ensemble: II. Moderate is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Saxophone Quartet and Wind Ensemble: II. Moderate by David Masklanka, David Maslanka, Iridium Quartet, Stephen K. Steele to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jess the Razor | Hayden Riley | F♯ Major | 1 | 2B | 101 BPM | ||
A Palermo | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | B♭ Major | 2 | 6B | 73 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Crepúsculo | Renato Bon, Banda Sinfônica Jovem do Estado de São Paulo, Marcos Sadao Shirakawa | A♭ Minor | 3 | 1A | 132 BPM | ||
Petits rêves d’enfant: No. 1, Andantino | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | F Major | 0 | 7B | 199 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
Violin Concerto: III. Passacaglia. Andante - Moderato - Più allegro - Allegro vivace - Subito presto - a tempo, minacciando - Allegro molto - Adagio - Più adagio - Ancora meno mosso | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
SBC | KNOXVILLETRACKZ | F♯ Major | 0 | 2B | 81 BPM |
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