"Die Meistersinger von Nürnberg - Act 3: "Morgenlich leuchtend"" by Richard Wagner, René Kollo, Adalbert Kraus, Michel Sénéchal, Norman Bailey, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1976. Since Die Meistersinger von Nürnberg - Act 3: "Morgenlich leuchtend" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Meistersinger Von Nurnberg by Richard Wagner, Norman Bailey, Bernd Weikl, René Kollo, Hannelore Bode, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #7 out of 42 tracks. Die Meistersinger von Nürnberg - Act 3: "Morgenlich leuchtend" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg - Act 3: "Morgenlich leuchtend" by Richard Wagner, René Kollo, Adalbert Kraus, Michel Sénéchal, Norman Bailey, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg - Act 3: "Morgenlich leuchtend" being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Götterdämmerung, WWV 86D / Erster Aufzug: "Blitzend Gewölk, vom Wind getragen, stürme dahin" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 78 BPM | ||
Ein Heldenleben, Op. 40, TrV. 190: Des Helden Walstatt | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | G Major | 1 | 9B | 85 BPM | ||
Rigoletto / Act 2: Tutte le feste al tempio | Giuseppe Verdi, Ileana Cotrubas, Wiener Philharmoniker, Carlo Maria Giulini | C Major | 0 | 8B | 80 BPM | ||
Die Walküre / Dritter Aufzug: "Wo ist Brünnhild', wo die Verbrecherin?" | Richard Wagner, Hans Hotter, Brigitte Fassbaender, Helga Dernesch, Berit Lindholm, Vera Schlosser, Helen Watts, Claudia Hellmann, Marilyn Tyler, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
La Bohème / Act 1: "Si può" - "Chi è là?" | Giacomo Puccini, Michel Sénéchal, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 115 BPM | ||
Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Minor | 2 | 7A | 77 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Melas delat podlica mné! | Leoš Janáček, Libuse Marova, Ivana Mixova, Gertrude Jahn, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | E♭ Minor | 2 | 2A | 177 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Die Fledermaus / Act 2: "Ich lade gern mir Gäste ein" | Johann Strauss II, Brigitte Fassbaender, Wolfgang Brendel, Wiener Philharmoniker, André Previn | D♭ Major | 1 | 3B | 77 BPM | ||
Götterdämmerung, WWV 86D / Zweiter Aufzug: "Brünnhild', die hehrste Frau" | Richard Wagner, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | B♭ Minor | 2 | 3A | 90 BPM |
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