Giovanni Girolamo Kapsberger, Jakob Lindberg's 'Libro I d'intavolatura di chitarone: Toccata Arpeggiata' came out on August 7, 2012. The duration of Libro I d'intavolatura di chitarone: Toccata Arpeggiata is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Libro I d'intavolatura di chitarone: Toccata Arpeggiata's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jakob Lindberg's "Italian Virtuosi of the Chitarrone" album is number 1 out of 27. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Libro I d'intavolatura di chitarone: Toccata Arpeggiata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libro I d'intavolatura di chitarone: Toccata Arpeggiata by Giovanni Girolamo Kapsberger, Jakob Lindberg to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The First Part of Ayres: Captaine Humes Pavan | Tobias Hume, John Dornenburg | F♯ Minor | 0 | 11A | 74 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
Branle gay | Pierre Attaingnant, Ronn McFarlane | B♭ Major | 0 | 6B | 178 BPM | ||
Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Sans Liberte (Morlaye) | Edward Martin | G Minor | 0 | 6A | 139 BPM | ||
Refrain 3 | Stephen Stubbs | A Minor | 0 | 8A | 88 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Caprice de Chaconne | Francesco Corbetta, Rolf Lislevand | B Major | 2 | 1B | 117 BPM |
Section: 0.515042781829834
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