"Sonata in C Major: III. Largo espressivo (Arr. For oboe and organ)" by Jean-Baptiste Loeillet, Ensemble Barocco Sans Souci was released on June 4, 2013. The duration of Sonata in C Major: III. Largo espressivo (Arr. For oboe and organ) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Sonata in C Major: III. Largo espressivo (Arr. For oboe and organ)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sonatas for Oboe & Organ". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Italy. In terms of popularity, Sonata in C Major: III. Largo espressivo (Arr. For oboe and organ) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata in C Major: III. Largo espressivo (Arr. For oboe and organ) by Jean-Baptiste Loeillet, Ensemble Barocco Sans Souci having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Minor: V. Allegro | Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz | D♭ Minor | 1 | 12A | 128 BPM | ||
Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | D Major | 1 | 10B | 116 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Symphony in A Major, H. 660, Wq. 182/4: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 120 BPM | ||
Scarlatti, D: Keyboard Sonata in G Major, Kk. 152 | Domenico Scarlatti, Scott Ross | B Major | 3 | 1B | 113 BPM |
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