John Williams's 'No. 5 Asturias (Leyenda) from Suite española, Op. 47' came out on 1975. No. 5 Asturias (Leyenda) from Suite española, Op. 47 is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in John Williams's "Greatest Hits" album is number 1 out of 15. In terms of popularity, No. 5 Asturias (Leyenda) from Suite española, Op. 47 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No. 5 Asturias (Leyenda) from Suite española, Op. 47 by John Williams to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ayres for the Violin: Diverse bizzarie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Palladian Ensemble | B Major | 2 | 1B | 134 BPM | ||
Dance from La Vida Breve | John Williams | D Minor | 2 | 7A | 107 BPM | ||
Pavana-Capricho, Op. 12 | Isaac Albéniz, Alicia de Larrocha | E Major | 1 | 12B | 77 BPM | ||
Abdelazer or The Moor's Revenge, II. Rondeau | Chamber Orchestra of Hartford | C Minor | 3 | 5A | 159 BPM | ||
Danse Hongroise N°1 en Sol Mineur | Johannes Brahms, Laurent Korcia | G Minor | 3 | 6A | 125 BPM | ||
Carmen Suite after Bizet's Opera: 2. Dance | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 2 | 6B | 116 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | C Major | 4 | 8B | 115 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": IV. Allegro vivo, "Los Manolos" | Luigi Boccherini, Mayumi Seiler, Silvia Walch, Diemut Poppen, Richard Lester, Howard Penny | G Major | 1 | 9B | 191 BPM | ||
Gymnopédies: No.1 - Lent et Grave, No.3 - Lent et douloureux | Erik Satie, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 0 | 9A | 73 BPM | ||
Romance from Jeux Interdits | Johan Vandecaveye | E Minor | 1 | 9A | 105 BPM |
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