Sir Charles Mackerras made "BRAHMS - Ungarischer Tanz Nr.1" available on October 17, 2018. The duration of BRAHMS - Ungarischer Tanz Nr.1 is about 3 minutes long, at 3:05. Based on our data, "BRAHMS - Ungarischer Tanz Nr.1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sir Charles Mackerras's "Kaleidoscope" album is number 6 out of 13. BRAHMS - Ungarischer Tanz Nr.1 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of BRAHMS - Ungarischer Tanz Nr.1 by Sir Charles Mackerras to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VI. Vivace | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | B♭ Major | 3 | 6B | 95 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie | Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir | D Major | 1 | 10B | 79 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Two Aquarelles: Lento, ma non troppo | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | D Minor | 0 | 7A | 80 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | F Minor | 1 | 4A | 166 BPM | ||
Chanson de nuit | Edward Elgar, Nicholas Cleobury | G Major | 1 | 9B | 67 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM |
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