""Porgy and Bess" Suite (Catfish Row): Good Morning, Brother (Sistuh)" by George Gershwin, Riccardo Chailly, Gewandhausorchester Leipzig was released on January 1, 2010. Since "Porgy and Bess" Suite (Catfish Row): Good Morning, Brother (Sistuh) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Gershwin, Stefano Bollani, Gewandhausorchester Leipzig, Riccardo Chailly's "Gershwin: Rhapsody in Blue; Piano Concerto in F; Catfish Row etc" album is number 6 out of 10. In terms of popularity, "Porgy and Bess" Suite (Catfish Row): Good Morning, Brother (Sistuh) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Porgy and Bess" Suite (Catfish Row): Good Morning, Brother (Sistuh) by George Gershwin, Riccardo Chailly, Gewandhausorchester Leipzig to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 133 BPM | ||
Ten songs: They can’t take that away from me | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | E♭ Major | 0 | 5B | 84 BPM | ||
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
7 Virtuoso Etudes: No. 5, The Man I Love (After Gershwin) | Earl Wild, Leon Fleisher | F Minor | 1 | 4A | 63 BPM | ||
Song Book: Somebody Loves Me. In a moderate tempo | George Gershwin, Frank Braley | G Major | 0 | 9B | 59 BPM |
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