Johann Sebastian Bach, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine's 'The Art of Fugue, BWV 1080: Contrapunctus IX, a 4 alla duodecima - Arr. for Flute Quartet' came out on January 1, 1998. The duration of The Art of Fugue, BWV 1080: Contrapunctus IX, a 4 alla duodecima - Arr. for Flute Quartet is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. The Art of Fugue, BWV 1080: Contrapunctus IX, a 4 alla duodecima - Arr. for Flute Quartet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 20 in Armonia di Flauti: Bach, Vivaldi (Arr. for Flute Quartet) by Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, The Art of Fugue, BWV 1080: Contrapunctus IX, a 4 alla duodecima - Arr. for Flute Quartet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Art of Fugue, BWV 1080: Contrapunctus IX, a 4 alla duodecima - Arr. for Flute Quartet by Johann Sebastian Bach, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 62 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 3. Allegro | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 3 | 1B | 82 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM |
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