Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra made "Offenbach: La Princesse de Trébizonde, Act III: Ariette du mal de dents 'D'où vient cette crise soudaine' (Casimir, Raphael, Zanetta, Regina, Paola, Tremolini, Sparadrap, Chorus)" available on September 22, 2023. The duration of Offenbach: La Princesse de Trébizonde, Act III: Ariette du mal de dents 'D'où vient cette crise soudaine' (Casimir, Raphael, Zanetta, Regina, Paola, Tremolini, Sparadrap, Chorus) is about 3 minutes long, at 3:17. Based on our data, "Offenbach: La Princesse de Trébizonde, Act III: Ariette du mal de dents 'D'où vient cette crise soudaine' (Casimir, Raphael, Zanetta, Regina, Paola, Tremolini, Sparadrap, Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 58 in the song's album "Offenbach: La Princesse de Trébizonde". In this album, this song's track order is #39. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Offenbach: La Princesse de Trébizonde, Act III: Ariette du mal de dents 'D'où vient cette crise soudaine' (Casimir, Raphael, Zanetta, Regina, Paola, Tremolini, Sparadrap, Chorus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Offenbach: La Princesse de Trébizonde, Act III: Ariette du mal de dents 'D'où vient cette crise soudaine' (Casimir, Raphael, Zanetta, Regina, Paola, Tremolini, Sparadrap, Chorus) by Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | G Major | 2 | 9B | 98 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Vivaldi: L'estro armonico, Concerto for Two Violins in A Minor, Op. 3 No. 8, RV 522 "Per eco in lontano": I. Allegro | Antonio Vivaldi, Nigel Kennedy, Daniel Stabrawa, Berliner Philharmoniker | B♭ Major | 1 | 6B | 115 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM |
Section: 0.7200467586517334
End: 0.7236580848693848