"Sonata II: I. Preludio Adagio" by Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees was released on October 6, 2022. With Sonata II: I. Preludio Adagio being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 28 in Chédeville / Vivaldi: Il Pastor Fido by Nicolas Chédeville, Antonio Vivaldi, Jean-Pierre Van Hees, Luc Ponet, Ronan Kernoa. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Sonata II: I. Preludio Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata II: I. Preludio Adagio by Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nach dir, Herr, verlanget mich, BWV 150: I. Sinfonia | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Sonata Accademica IX, Op.2: Un poco andante et affettuoso | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Recorder Sonata No.5 in C major from "Il pastor fido": 3. Un poco vivace | Nicolas Chédeville, Jean-Claude Veilhan, Jean Lamy, Blandine Verlet | B Minor | 1 | 10A | 115 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: I. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 101 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM |
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