Leo Slezak's 'Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug)' came out on May 5, 2010. The duration of Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 4 out of 22. In terms of popularity, Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug) by Leo Slezak to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) | Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme | E♭ Major | 1 | 5B | 82 BPM | ||
Cecilia: Padre! Ho pregato | Licinio Refice, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F Minor | 1 | 4A | 106 BPM | ||
Mai | Reynaldo Hahn, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Ach! Pani Marto, mówcie szczerze (Chór/Marta/Grzes) | Stanisław Moniuszko, Chorus And Orchestra Of The Polish National Opera Warsaw, Jacek Kaspszyk | C Major | 2 | 8B | 109 BPM | ||
Las Golondrinas, Escena 3ª, I parte: "Es de noche" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Wenn ich vergnügt bin (From "Der Frauendiplomat") | Hans May, Leo Slezak, Max Hansen, Marta Eggerth, Odeon Dance Orchestra, Otto Dobrindt | E Major | 1 | 12B | 66 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra) | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Rigoletto: Questa o quella (Recorded 1906) | Giuseppe Verdi, Leo Slezak | E Major | 1 | 12B | 172 BPM |
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