"4 Kleine Stücke: II. Violente" by Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward was released on November 2, 2018. With 4 Kleine Stücke: II. Violente being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Schreker: Vom ewigen Leben & Phantastische Ouvertüre". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. 4 Kleine Stücke: II. Violente is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 4 Kleine Stücke: II. Violente by Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Der Schmied von Gent: Act I: Lieber Gott, das ist nicht schon von Dir (Frau) | Franz Schreker, Oliver Zwarg, Undine Dreissig, Andre Riemer, Edward Randall, Tobias Mathger, Judith Kuhn, Victor Sawaley, Chemnitz State Opera Chorus, Robert Schumann Philharmonie, Frank Beermann | E Minor | 0 | 9A | 67 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 87 BPM | ||
Piano trio in a minor: Modéré | Maurice Ravel, Trio Mondrian | C Major | 0 | 8B | 82 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | D♭ Major | 0 | 3B | 79 BPM |
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